Dan Overholt

Overholt's research interests include musical interface technology, the development of hybrid physical/digital musical instruments, designing novel sensors and actuators, and real-time synthesis, analysis, and effects processing algorithms.

An Evening of Actuated Instruments

Edgar Berdahl

Berdahl's research interests include real-time sound synthesis, feedback control, physical modeling, human-computer interaction, sound design, signal processing, acoustics, and embedded systems.

When The Robots Get Loose (audio)

It's Like A Car

Sike!

When The Robots Get Loose (video)

Robert Hamilton

Hamilton's interests include mixed reality composition and performance, music and virtual Worlds, game engines as 3D musical environments, and compositional, improvisational, and performance applications of interactive software-based systems.

of giants
An Evening of Actuated Instruments

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Per Bloland

Bloland is a composer of acoustic and electroacoustic music whose works have been described as having an "incandescent effect" with "dangerous and luscious textures." His compositions range from short intimate solo pieces to works for large orchestra, incorporate video, dance, custom built electronics.

Elsewhere is a Negative Mirror, Part I
Negative Mirror, Part II
Of Dust And Sand

Alexandros Kontogeorgakopoulos

Alexandros proposes a novel design approach of physically performed digital audio effects. HIS musical worries and practices are somewhere in the middle of amBIEnt, electRonica, BARoque, MINImalism, elecTROPop and avant-GARDE. Honestly.

Andrew McPherson

McPherson is a composer and researcher and the creator of the magnetic resonator piano, an electronically-augmented acoustic piano using electromagnetic string actuation and continuous key position sensing. His research interests include instrument and interface design and embedded audio signal processing systems.

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Secrets of Antikythera, for MRP
Magnetic Resonator Piano